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£12.00
Concessions: £6.00

PREVIEWS Tues 11 and Weds 12: All tickets £6.00

Dates

Tuesday-Saturday, Tuesday 11th November 2008 - Saturday 29th November 2008 7.45PM

Saturday 29th November 2008 3.00PM

AUDIO DESCRIBED
Thurs 20th Nov

BSL
integrated throughout

Running time

120 minutes including interval

Venue

Downstairs

Production Company

Mojisola Adebayo and the Ali Collective

Access
Audio described icon British Sign Language icon Wheelchair access icon
Extras

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Please note that the advertised times are the start of the actual performance, not the time when doors open: please arrive in good time to collect your tickets and take your seats as, in most cases, we CANNOT admit latecomers for whatever reason. If you arrive after the start of a show you will NOT be entitled to a refund, so why not come early instead and enjoy a drink or a meal in our licensed Cafe/Gallery beforehand.


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This new show by Mojisola Adebayo (‘Moj of the Antarctic’) has a knockout stage design courtesy of Rajha Shakiry. The downstairs space has been made over as a boxing ring, where the historic victories and defeats of Muhammad Ali are re-enacted and where a young gay black girl growing up in 1970s Britain fights (metaphorically) to establish herself in the face of parental and institutional neglect.

Adebayo, who plays both Ali and the girl, is quite a performer: a fine mimic, she’s terrific as the boxer as he undergoes political and religious radicalisation through his involvement with the Nation of Islam; she can also charm your socks off when she wants to. Charlie Folorunsho makes an impressive foil, whether playing the girl’s repressive father or Ali’s trainer.

The ambition is huge. As the show’s own promotional material says, there’s ‘poetry, song, music, movement, magic, integrated British Sign Language, with original fight footage and verbatim text by Muhammad Ali’. You couldn’t ask for more – in fact, you might request a little less, because the girl’s story (and the various social and political issues it raises) gets rather lost in this merry mêlée. We don’t really know much more about her at the end than we did at the beginning. As such, you’re pleased when she triumphs at the end, but her story lacks emotional punch.

Robert Shore, Time Out — 19th November 2008

 
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